I Was Bigfoot’s Shemp! (Part One)
By John Oak Dalton • May 30th, 2007 • Category: Articles, Filmmaking
[Editors Note: In 2003, indie screenwriter (and MicroCinema Scene co-founder) John Oak Dalton watched a movie called Blood Red Planet and was introduced to the strange world of legendary cult filmmakers - The Polonia Brothers. Little did he know that this low-budget space epic would lead to a collaboration that continues to this day. He has since gone on to write several movies for the Brothers and in 2003, travelled to Wellsboro, Pennsylvania for the production of Among Us - a movie about Bigfoot!]
PART ONE
SUNDAY MAY 22, 2005: THE TRAPDOOR OPENS
I decided to get off the interstate and cut cross-country towards Wellsboro, Pennsylvania, a baseball game murmuring on the radio and the rolling hills easing past my windshield. Soon I arrived in the hometown of those unholy twins of b-moviedom, the Polonia Brothers. I thought the shooting would be done for the day, but learned from Mark Polonia’s wife that they have been held up. But soon the cast and crew burst in, chatting excitedly. A planned “guerilla” filmmaking shoot in some local basement locations with permissions of the “don’t ask, don’t tell” variety went a tad sour when the sprinkler system went off, with flooding ensuing. I asked how things went otherwise, and learned that it had gone well, with one person being cut in half, and another beheaded by an evil priest. And just like that I was down the rabbit hole and back in the world of b-movie filmmaking.
SUMMER, 2001: A JOURNEY OF A MILLION MILES
A co-worker brought me a movie he said I “had to watch.” It was the Polonia Brothers’ space epic BLOOD RED PLANET. I was mesmerized. Past the motorcycle helmet space masks and the water bottle oxygen tanks and the gravel pit moonscape and the hand-puppet monsters I saw a great sense of energy and fun and love for the genre. I looked up Polonia Brothers Entertainment on the Internet, and quickly delved into their world. Probably best known for FEEDERS, one of the first shot-on-video features accepted at Blockbuster, the Polonia Brothers have made a name for themselves as b-movie horror mavens, embraced by some and shunned by others. I quickly found Mark Polonia’s email address, and thought I would drop him a line. At that point it never occurred to me that I might end up sleeping on his couch.
DECEMBER, 2002: FROM THE POLONIA MIND TO MY HAND
Mark Polonia and I had been writing back and forth and talking on the phone for some time, discussing projects and trying to get a few off the ground. Mark asked me if I would be interested in writing a Bigfoot movie based on an outline he and his brother John had worked up. I told him I wasn’t sure what I could do with a Bigfoot movie but that I would think about it. After I hung up with Mark the phone rang again a short time later. It was Polonia Brothers actor, director, and general co-conspirator Jon McBride. McBride is probably best known for helming the cult classic CANNIBAL CAMPOUT, as well as a happy-go-lucky little feature called WOODCHIPPER MASSACRE. He asked, “You’re not going to write that Bigfoot movie, are you?”
SPRING, 2003: “AND SO IT BEGINS”
Casting, FX by Brett Piper (PSYCLOPS, DRAINIAC), and some second unit and b-roll shots are done throughout the spring, in LA and Pennsylvania, with the changing seasons and locations hopefully giving the project an expansive feel. The bulk of the shooting was locked down for the end of May in Pennsylvania, and I agreed to come out and be on the set and try to pitch in. Little did I know then that “pitching in” would include everything from gathering wood to cooking food to putting on an ape suit to feeding my own script into a campfire. I was blissfully unaware of what was to come.
WEDNESDAY MAY 28, 2003: DOWN THE RABBIT HOLE
I touched down in beautiful Elmira, New York at 11 p.m., and was quickly whisked off to Wellsboro, Pennsylvania by the Polonia Brothers and Jon McBride. They had been shooting all day all over Wellsboro with Bob Dennis and Hunter Austin, playing the leads Billy D’Amato and Jennifer Dempsey. Early in the morning we were going to leave for the cabin that is the centerpiece for the latter third of the movie and spend several days and nights living and shooting there, so everyone was ready to call it a night. But I did get a quick tour through Wellsboro, recognizing tons of locations from PBE films like FEEDERS, NIGHT THIRST, and others. At midnight we pulled up to the house that I last saw in THE HOUSE THAT SCREAMED 2. I had the surreal feeling that the whole town was a giant Polonia Brothers backlot, and I briefly wondered why the humble people of Wellsboro had not risen up with pitchforks and torches and driven these diabolical twins into the river. A short time later I was lying on Mark’s couch and asleep.
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John Oak Dalton is a Community Television Station Manager by day, and a DIY acolyte by night. In the 80s he made Super-8 movies and his own basement mix tapes. In the 90s he hosted a cable-access show and made his own zines and minicomics. In the 21st Century he began working with grassroots video and microcinema and writing b-movies, and has more than a dozen projects on the shelf, on screen, in development, or in production.
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